|
|
http://soundcloud.com/input_output |
:: trabalho artístico :: projeto musical input_output | desenhos | fotografia instagram | fotografia flickr | pesquisa de discos | pesquisa de filmes | programa podcast musical ::
:: catarses musicais inativas :: hotel | blanched | o restaurante | homem que não vive da glória do passado ::
:: no pé da página :: currículo | discografia ::
terça-feira, 11 de junho de 2013
CSS - Planta (2013)
(Lawrence Day/The Line Of Best Fit)
Multi-instrumentalist and prime CSS composer Adriano Cintra recently unceremoniously cut ties with the band, citing the fact that fame had gone to the rest of the their heads and the fact they couldn’t play their instruments properly as a reason: Harsh words from the outgoing creative force. Cansei De Ser Sexy aren’t mourning the loss of Cintra though, his parting words have had little effect. There’s a definite, clear change in direction on their fourth LP but it doesn’t seem to be of any detriment. The now-foursome are excavating new territories in their sound, and eschew the gimmicky neon ADHD-ness and nu-rave/funktronica of previous offerings, instead opting for subtler tropical electronics and lithe filth-pop.
Produced by Mr. Golden Fingers himself, Dave Sitek, Planta nurtures a deeper sound. The bratty sleaze and facetious lyrics are long gone, and now the Brazilian femme fatales exhibit a serious streak in their synthpop. Gone are the jagged coquettish chirrups, CSS now harness the power of adult electronica. It’s a far more laidback record, even through the elements of sincerity, as everything seems to adhere to a newfound fluidity rather than exploding like a glitter-filled piñata – any sawing synthesiser riffs have rounded edges and the guitar licks are sanded down. But that’s not to say they’ve lost their appeal. Perhaps the edge has vanished, but like many bands do a decade into their career – they’re maturing. It’s a shame it took Cintra’s departure to galvanise them into donning growed-up masks, but at least they now own a sound that they won’t cringe at as the hurtle towards/past the big 3-0.
This album is as much about personal revolution for the band as it is about exotic pop charmers. They’ve used the time to come to terms with the loss of Cintra and create a sonic identity beyond his input, and it turns out that they didn’t really need him, and, just maybe, he was stalling their progress.
Assinar:
Postar comentários (Atom)

Nenhum comentário:
Postar um comentário